In a groundbreaking auction, a Māori portrait painted in 1938 has set a record sale price in New Zealand, amidst heightened racial tensions and socio-political debates.
Māori Portrait Sets Auction Record Amidst Climate of Tension
Māori Portrait Sets Auction Record Amidst Climate of Tension
Historic sale highlights both artistic value and ongoing social issues in New Zealand
In a remarkable moment for New Zealand's art scene, Charles Frederick Goldie’s portrait "Thoughts of a Tohunga" sold for NZ$3.75 million (approximately US$2.2 million) at the International Art Centre, making it the most valuable Māori artwork ever auctioned in the country. The painting, which depicts Wharekauri Tahuna, one of the last tattooed priests of his era, marks a significant milestone in art history, as it highlights both the cultural diversity and rich heritage of the Māori people.
This sale not only reflects the enduring appeal of Goldie's work—who was known for his strong relationships with his subjects—but also comes at a critical juncture for Māori rights in New Zealand. Recent proposals by the government aimed at reassessing the Treaty of Waitangi—the foundational agreement between Māori tribes and the Crown—have sparked protests, with thousands marching against changes they perceive as detrimental to Māori rights.
Richard Thomson, director of the International Art Centre, noted the historical and emotional significance of Goldie's work, stating that the painting had not been on the market for 33 years and that New Zealanders feel a deep connection to their heritage. Although Māori people constitute 18% of the population, they continue to face systemic challenges and disparities in health, education, and overall well-being.
The portrait's unprecedented sale reflects a growing appreciation for Māori art and culture, as well as serving as a poignant reminder of the ongoing fight for Māori rights and recognition in contemporary New Zealand society.
This sale not only reflects the enduring appeal of Goldie's work—who was known for his strong relationships with his subjects—but also comes at a critical juncture for Māori rights in New Zealand. Recent proposals by the government aimed at reassessing the Treaty of Waitangi—the foundational agreement between Māori tribes and the Crown—have sparked protests, with thousands marching against changes they perceive as detrimental to Māori rights.
Richard Thomson, director of the International Art Centre, noted the historical and emotional significance of Goldie's work, stating that the painting had not been on the market for 33 years and that New Zealanders feel a deep connection to their heritage. Although Māori people constitute 18% of the population, they continue to face systemic challenges and disparities in health, education, and overall well-being.
The portrait's unprecedented sale reflects a growing appreciation for Māori art and culture, as well as serving as a poignant reminder of the ongoing fight for Māori rights and recognition in contemporary New Zealand society.
