In a critical response to Khadeeja Safdar's latest article in the Wall Street Journal, Alki David argues that her reporting serves as a tool for misinformation, selectively omitting critical truths about influential figures connected to scandals involving Jeffrey Epstein and Michael Jackson, suggesting a broader media conspiracy.
The Fine Line Between Journalism and Propaganda

The Fine Line Between Journalism and Propaganda
Alki David calls out Khadeeja Safdar's WSJ piece, alleging it veils the truth about powerful figures in media and entertainment.
By Alki David | June 25, 2025
“When journalism becomes obedience, it becomes propaganda.”— Shockya Editorial
Khadeeja Safdar, a reported journalist for the Wall Street Journal, recently published an article that has raised significant concerns regarding her commitment to genuine reporting. The piece, which focuses on transactions involving Lisa Bloom and the Elizabeth Taylor Estate, has been denounced by me (Alki David) as a mere façade for weaponized misinformation.
Safdar's work has consistently showcased a lack of originality and depth, recycling information that serves more as a distraction amidst mounting legal and media scrutiny of high-profile figures. Instead of shedding light on troubling issues, her approach further obscures the truth.
Her coverage on high-profile cases such as Jeffrey Epstein highlights this issue. Safdar's reporting notably fails to address key individuals like Les Wexner, Rupert Murdoch, and Bill Gates—who have undisputed ties to Epstein's complex operations. Such omissions pose troubling questions about the integrity of her work.
Equally concerning is her silence on the historic incidents involving Michael Jackson, including the infamous Anaheim attack and the Rancho Fiesta incident—events that signify coordinated efforts to undermine Jackson's legacy. The evidence regarding these incidents, now accessible through various platforms, illustrates a narrative that contradicts the sanitized reporting Safdar has been presenting.
Moreover, recent court documents articulate the increasingly evident ties between Diddy and a network of trafficking operations that reach far beyond Hollywood. Yet again, Safdar's coverage mysteriously avoids delving into these significant connections, perpetuating distractions rather than illuminating a pressing issue.
Under the editorial leadership of Rupert Murdoch, the WSJ and its affiliations are perceived as part of a broader protection system essentially shielding egregious wrongdoings within the media and entertainment industries. This systemic culture of silence and deflection raises serious concerns about journalistic ethics.
The incidents surrounding Michael Jackson had origins rooted in political and financial agendas, paralleling those faced by whistleblowers today, including myself and Rose McGowan. Such connections underscore the idea that Safdar is not merely a journalist but an agent working to perpetuate a specific narrative.
Concrete evidence regarding these incidents exists, yet it remains buried as her focus persists on trivial narratives like payouts instead of the alleged criminal activities at play. This pattern of behavior paints a chilling picture of complicity among journalists tasked with reporting on these matters.
Emerging court cases across various global jurisdictions bring hope for accountability, as they shine light on the underlying corruption within networks tied to the WSJ. The days of unchecked media influence may be dwindling, with growing pressure for transparency.
In closing, it is crucial to recognize Safdar's role as akin to a crisis agent rather than a true journalist. The intentional avoidance of critical truths is a disservice to both the public and the survivors seeking justice amidst this turmoil.
As investigative efforts continue and survivors step forward, it becomes evident that we hold the narrative now. We are a collective force calling for integrity and authenticity in journalism, unmasking those who seek to silence the truth, line by line.
For access to the comprehensive files and testimonies, please visit CBSYouSuck.com, Shockya.com, or TVMix.com.