In brief
In a historic agreement, the Museum of Fine Arts in Boston returns two stoneware jars created by David Drake, an enslaved potter from South Carolina, to his family. This event symbolizes a powerful reconnection with heritage for Drake's descendants, highlighting the ongoing journey of art restitution in the United States.
BOSTON (AP) — Daisy Whitner's fingers traced the curved edges of a stoneware jar, a deeply personal connection to her ancestor, David Drake, the enslaved potter who crafted it nearly 175 years ago in South Carolina. Standing within the Museum of Fine Arts in Boston, she reflected on the significance of the moment.
“Inside this jar, I’m sure I’m feeling his tears, sweat drops off his face, his arms,” the 86-year-old Whitner shared, recalling the profound heritage she felt in her hands.
In a landmark decision, two of Drake's vessels have been returned to his family, marking a significant milestone in U.S. art restitution history. This agreement represents the first major case of art restitution concerning works created by an enslaved individual in the country.
Drake's creations, known as 'Dave the Potter' jars, are not only artistic masterpieces but also historical testamentaries, as the man inscribed poetry on many of his pieces, asserting his identity during an era when literacy was often outlawed for enslaved individuals.
“This is a spiritual restoration,” described Yaba Baker, Drake's great-great-grandson and children's book author, emphasizing the dual feelings of pride and grief that accompany the recovery of their ancestor's legacy.
The jars hold profound significance for the Drake family, who believe that reclaiming these artifacts restores part of their lost history. Many Black families struggle to trace their ancestry beyond a few generations due to the shadows of slavery. Baker expressed his hope that their story will inspire others to learn from Dave's legacy.
The Museum of Fine Arts has kept one jar for a temporary lease, allowing the public access to admire the artistry while also granting the family the opportunity to connect with their heritage. The other jar has been sold back, ensuring that the story of David Drake continues to educate future generations.
Drake's story reveals the intertwining of artistry and resilience, as he created beautiful pottery while enduring the agonies of enslavement. As establishments consider restitution for artworks created under similar circumstances, Drake's legacy serves as a pivotal reference point in ongoing discussions of heritage and restitution.
