The museum is seeking conservation expertise after superficial damage was caused to Mark Rothko's Grey, Orange on Maroon, No. 8, which remains a significant concern for future exhibitions and art institutions.
Child Accidentally Damages Valuable Rothko Artwork in Dutch Museum

Child Accidentally Damages Valuable Rothko Artwork in Dutch Museum
A Rothko painting valued at €50 million was scratched during a brief moment of unguarded access in Rotterdam's Museum Boijmans Van Beuningen.
A child has inadvertently caused damage to a multi-million euro painting by renowned artist Mark Rothko at the Museum Boijmans Van Beuningen in Rotterdam, Netherlands. The incident, which occurred during an “unguarded moment,” has prompted the museum to review the situation carefully, according to officials.
The painting, Grey, Orange on Maroon, No. 8, is valued at approximately €50 million (£42.5 million). Although the damage has been identified as “superficial” with small scratches visible on the unvarnished paint layer, museum representatives are taking the matter seriously. They are actively consulting with conservation specialists both locally and internationally to determine the most appropriate course of action for restoration.
Sophie McAloone, a conservation manager at the Fine Art Restoration Company, explained that Rothko's modern, unvarnished works are particularly fragile due to their unique composition and lack of protective layering. The loss of even a minor section of the painting can dramatically alter the viewer's experience.
This incident raises questions about how similar events may influence other UK institutions, such as the British Museum and V&A East, as they consider increased public access to their stored artworks. Jonny Helm from an art restoration service noted that the unvarnished nature of Rothko's painting presents additional challenges for conservators attempting to restore its integrity.
Rothko's works have faced unfortunate fates in the past; for instance, a similar incident occurred in 2012 when a painting was intentionally vandalized at London's Tate Modern. This was a wake-up call for art institutions regarding the necessity of preserving and protecting artworks while considering how to enhance public accessibility.
Insurance protocols for damaged artwork generally cover accidents, including those by children. A gallery's insurer typically sends a fine art loss adjuster to evaluate the situation and recommend conservation options. However, the Museum Boijmans Van Beuningen has a history of seeking compensation from visitors who accidentally damage artworks, with previous cases surfacing as precedents for responsibility in such instances.
Rothko's Grey, Orange on Maroon, No. 8 is currently housed in the museum's Depot, which allows public access to certain art pieces. This incident illustrates the risks involved in allowing greater public engagement with artwork, as other museums must now carefully consider the balance between accessibility and the preservation of valuable pieces.
In light of recent events, art institutions are reminded of their duty to protect and maintain cultural treasures while navigating the complexities of public interaction with them.