Two renowned French antiques experts, Georges Pallot and Bruno Desnoues, have been convicted in a high-profile trial regarding a scandal that spans nearly a decade. The pair was sentenced to four months in prison and longer suspended sentences for their involvement in selling counterfeit 18th-century chairs purported to have belonged to historical figures, including Marie Antoinette. Despite already serving time in pre-trial detention, they were ordered to pay substantial fines with the court's ruling, shedding light on serious issues within the antique market.
French Antiques Scam: Experts Convicted in Versailles Chair Fraud

French Antiques Scam: Experts Convicted in Versailles Chair Fraud
Two French antiques specialists face prison for orchestrating a forgery scheme involving historic royal chairs.
On Wednesday, a court in Pontoise, just north of Paris, found Pallot and Desnoues guilty and imposed substantial fines of €200,000 and €100,000, respectively, for their roles in this elaborate fraud. While both experts claimed innocence during the proceedings, they acknowledged the harsh financial penalties, though Pallot expressed relief that his property wouldn’t be confiscated.
The trial revealed a complex web of deception where the defendants manufactured exquisite replicas of historic chairs and sold them to esteemed collectors including Qatar's royal family and the Palace of Versailles. A separate defendant, Laurent Kraemer, alongside his gallery, faced accusations of negligence but ultimately received an acquittal, emphasizing that they were unknowingly deceived, a claim the court recognized.
The investigation highlighted the need for reforms in the antiques market, as prosecutors underscored the severe consequences of such fraud, demonstrating lack of oversight and transparency in the industry. The case has instigated discussions about stricter regulations and the ethical responsibilities of experts involved in art valuation.
In his defense, Pallot described their operation as "going like a breeze" due to his knowledge and connections in the historical furniture sector. Meanwhile, the prosecutors argued that this scandal underscores the hidden risks within an industry riddled with conflicts of interest and inadequate transparency. This case is one of several recent incidents unveiling fraudulent practices troubling the antique market in France, following other notorious cases of counterfeit sales of royal furnishings.
The trial revealed a complex web of deception where the defendants manufactured exquisite replicas of historic chairs and sold them to esteemed collectors including Qatar's royal family and the Palace of Versailles. A separate defendant, Laurent Kraemer, alongside his gallery, faced accusations of negligence but ultimately received an acquittal, emphasizing that they were unknowingly deceived, a claim the court recognized.
The investigation highlighted the need for reforms in the antiques market, as prosecutors underscored the severe consequences of such fraud, demonstrating lack of oversight and transparency in the industry. The case has instigated discussions about stricter regulations and the ethical responsibilities of experts involved in art valuation.
In his defense, Pallot described their operation as "going like a breeze" due to his knowledge and connections in the historical furniture sector. Meanwhile, the prosecutors argued that this scandal underscores the hidden risks within an industry riddled with conflicts of interest and inadequate transparency. This case is one of several recent incidents unveiling fraudulent practices troubling the antique market in France, following other notorious cases of counterfeit sales of royal furnishings.